| 100% | ANG | 3 | Lee with two Best Director Oscars |
| 65% | ANG | 3 | Two-time Best Director Oscar winner ___ Lee |
| 65% | ANG | 3 | Two-time Best Director Oscar winner Lee |
| 64% | ANGLEE | 6 | Winner of two Best Director Oscars |
| 59% | GLENDA | 6 | Jackson with two Best Actress Oscars |
| 59% | BETTE | 5 | Davis with two Best Actress Oscars |
| 59% | HANKS | 5 | Tom with two Best Actor Oscars |
| 56% | ANG | 3 | With 63-Across, two-time Best Director Oscar winner |
| 56% | COSTNER | 7 | Kevin —, Best Director Oscar winner for Dances With Wolves |
| 55% | WATTS | 5 | Naomi with two Best Actress Oscar nominations |
| 55% | FRANKCAPRA | 10 | Best Director Oscar winner for You Can't Take It With You |
| 55% | FLEMING | 7 | Victor —, Best Director Oscar winner for Gone with the Wind |
| 53% | ANG | 3 | Two-time Oscar-winning director Lee |
| 53% | FRANK | 5 | & 22A Best Director Oscar winner for You Can't Take It With You |
| 52% | LEE | 3 | Two-time Best Director Oscar winner Ang |
| 52% | INARRITU | 8 | Two-time Best Director Oscar winner Alejandro González __ |
| 51% | ANG | 3 | Director ___ Lee with three Oscars |
| 51% | BERGMAN | 7 | Director with three Best Foreign Film Oscars |
| 51% | ANG | 3 | Two-time Best Director Lee |
| 50% | ANG | 3 | Two-time Best Director winner Lee |
| 49% | KEVINCOSTNER | 12 | Best Director Oscar winner for "Dances With Wolves" who was a Worst Director Razzie winner for "The Postman": 2 wds. |
| 48% | IVORY | 5 | James —, Best Director Oscar nominee for Howards End, A Room with a View and The Remains of the Day |
| 48% | KEVINCOSTNER | 12 | He won the Best Director Oscar for the first film he directed, 1990's "Dances With Wolves": 2 wds. |
| 48% | ANG | 3 | Lee who won the Best Director Oscar for "Life of Pi" |
| 46% | LLOYD | 5 | Frank ___, two-time Best Director Oscar winner |
| 46% | SAMMENDES | 9 | Best Director Oscar winner for American Beauty |
| 46% | WILLIAMWYLER | 12 | Best Director Oscar winner for Mrs Miniver |
| 46% | STANLEY | 7 | With 34-Across, director who won an Oscar for Best Visual Effects for 42-Across |